A platoon of South Korean soldiers find themselves cut off from their squad without communication. They are aided by an old man in a nearby village who did not evacuate his home.

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In a small South Korean village, while investigating the death of two people in strange circumstances, a grumpy policeman will live an overwhelming experience beyond the reality he has known so far.

The wife and mistress of the abusive headmaster of a boy's school plot and carry out his murder. They dump his body in the murky swimming pool at the school and await for it to surface. After several days, some unusual circumstances point to clues that he is not dead after all.

Created by an all female filmmaking team, this 17-segment series focuses on the visceral gut reactions of each filmmaker to expand conversations about women’s reproductive rights and the importance of bodily autonomy and also addresses the issues of a democracy that does not protect the needs of the majority of the population.

After receiving a patch, a blender suddenly gains consciousness. As it grapples with existential questions, it becomes the sole companion to the grieving wife of a missing man.

STONES AND THEIR WHISPERS OF OLD STORIES unfolds as a dialogue between ancient stories from the Transylvanian and Valais mountains, intertwined with contemporary movement. Through the lens of dance, the environment becomes both stage and symbol, where whispers of forgotten stories are etched into the fabric of the earth. With a quiet, observant gaze, the film invites reflection on the ephemeral and enduring, past and present, myth and memory. 　　“Nothing more natural for David Drăgan and Noah Kohlbrenne’s film than the connections it makes between a magical, irrational understanding of life, subject to mysticism and nature, and choreography, that is, organized movement which, before producing aesthetic pleasure, produces spatial knowledge. For STONES AND THEIR OLD WHISPERED STORIES, man – the human body – is an infinitesimal unit of measurement. Man measures little visually, in relation to the vastness of the mountainous landscapes of Transylvania and Valais, upon which the camera gaze with adoration and fear, but also within the superstitions recounted by various interviewees, speaking powerlessness in the face of the incomprehensible. The film is a beautiful reminder that man should not be the measure of the world, but take measure of it.” (Călin Boto)

Upon learning that their grandmother is not long for this world, Nate and Priscilla Simmons pack up their kids and leave Detroit to head down South. Eventually, the family rediscovers its African-American roots and elects to stay in their new rural surroundings.

In the second half of the 1800s, the daughter of a Debrecen family marries a landowner, Kálmán Jablonczay. The couple move to the husband's castle. The marriage starts off happily but the new wife, Mária Rickl, soon finds herself at odds with the gentry lifestyle, her husband and her father-in-law...

The story of Pink Floyd told by deejay Tommy Vance and actor Graham McTavish with the four members talking about the past, including about Syd Barrett.